Arena
Arena show
Rigging, large LED, FOH, monitor world, follow spot and precise timing across the concert program.
CONCERT PRODUCTION · ALMATY
Concert technical production
We engineer concerts as one live system: FOH and monitor sound, lighting, LED, staging, backline, artist riders, changeovers and show control operate from one production plan.
Since 2013technical production for concerts and shows
One crewfrom rider and venue review to load-out
Almaty and Kazakhstanclub shows, festivals, arenas and open-air events
PRODUCTION CONTROLSYSTEM READY
SOUND
LIGHT
VIDEO
STAGE
SHOW CONTROL
Signalsone routing map
Crewdepartment-based
Backupfor critical paths
Rider-led designequipment and acceptable substitutions agreed in advance
FOH + MONaudience and stage sound engineered as one system
Soundcheck firstartists, backline, playback and critical cues pass preflight
Redundancycritical microphones, signals, power and playback
Visual overview
What concert production looks like in real life
Not just an equipment list, but a live stage, audience, artist and technical team working as one system.
Festival
Festival / open-air
Wide audio coverage, stage logistics, delay zones, lighting and reliable operation in outdoor conditions.
Artist
Artist & rider control
Stage plot, input list, backline, soundchecks and changeovers managed without chaos or lost show tempo.
One coordinated live system
Every technical department supports the artist and the audience
Concert production is more than rented equipment. It is an exact match between the rider, venue acoustics, stage plan, artist schedule and safety requirements.
Concert sound
Even audience coverage with the required impact.
- PA and sub systems sized for the venue
- FOH console, processing and system tuning
- Measurement, delay zones and SPL control
Monitor systems
Stable stage sound and confident performances.
- Wedges and in-ear monitor lines
- Monitor console, split and personal mixes
- Microphones, DI boxes and patching from the input list
Stage lighting
Lighting dramaturgy built around the set and scenography.
- Fixtures, truss and lighting positions
- Programming of scenes, transitions and accents
- Timecode and show-control integration
LED, cameras and content
The visual system and live image for the show.
- Main and side LED screens
- Cameras, vision mixer and media servers
- Playback, graphics and redundant signal routes
Staging, rigging and backline
Safe stage infrastructure built from the rider.
- Stage, roof, truss and suspension points
- Backline, risers and artist positions
- FOH, backstage, barricade and cable paths
Changeovers and show control
All departments stay synchronized in live operation.
- Stage manager, technical director and intercom
- Changeover plan between artists
- Special effects and fallback plans for key moments
Production profiles
Architecture matched to the venue and programme
These are not fixed commercial packages. Profiles establish a starting architecture; the final system is defined after venue and rider review.
Club Live
A club concert, intimate hall or showcase with a compact stage and dense live programme.
- FOH and monitor sound
- Stage lighting
- Compact LED or projection
- Backline and technical crew
Concert Hall
A headline show or multi-artist programme in a concert hall.
- Full FOH and MON systems
- Lighting design and LED
- Stage, rigging and backline
- Show control and redundancy
Arena & Open Air
Arena, festival or city site with a large audience and complex logistics.
- Scalable audience coverage
- Large stage, roof and screens
- Power, communications and weather plan
- Department leads and backup systems
Interactive technical brief
Concert Production Designer
Build a preliminary production architecture and list of critical checks.
CONCERT RIDER & SHOW FLOW
Validate riders, soundchecks and changeovers before load-in
The planner evaluates programme density, soundcheck and rehearsal time, rider readiness and stage-management load.
0%Programme readiness
Concert Rider & Show Flow Planner
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Complexity—
Cue density—
Recommended rehearsal—
Preliminary show flow
Critical checks
PRODUCTION READINESS CONTROL
Check whether the concert is ready for load-in, soundcheck and showtime
The control module links deadlines, venue, riders, stage, power, crew and redundancy, revealing the critical path to doors.
Show control
One control centre runs stage, content and every participant
For complex productions, every technical department works from one production plan: who triggers what, and at which moment.
01
Technical supervisorcoordinates the venue, suppliers and production schedule
02
Department leadsown sound, lighting, video, staging and individual zones
03
Show caller / cue controlruns the programme timing and confirms critical actions
04
Intercom and commsgive the crew one operational communication layer
T−30
T−7
LOAD-IN
SHOW
T+1
Production documents
Documents that turn the rider into an operable concert
Before load-in, we lock not only equipment but the complete working framework for the crew.
Technical concept
FOH, MON, lighting, LED, staging and specialist systems.
Stage plan & rigging
Stage, suspension points, risers, FOH, barricade and backstage.
Equipment & crew list
Equipment, roles, shifts, logistics and redundancy.
Production schedule
Access, setup, line check, soundchecks, show and load-out.
Rider matrix
Models, substitutions, input lists and backline.
Signal & patch plan
Audio, video, network, intercom and backup routes.
Changeover plan
Artist transitions, personnel and timing control.
Backup plan
Redundant microphones, playback, signals, power and critical cues.
Concert architecture
The stage as a layered system
For the audience it is one seamless show. For production it is a set of connected layers that must stay perfectly synchronized.
Concert stack
From audience coverage to backstage flow and backup
Audience zonesound, sightlines, delays and audience comfort
FOH controlaudio, lighting, video and cue management
Stage & MON worldartists, monitoring, RF, playback and backline
Backstage flowrisers, changeovers, artist access and crew traffic
Power & safetydistro, cable runs, backup and technical discipline
Audience coverage
Line array, front fill, out fill and delay zones are designed around venue geometry and expected audience.
Stage monitoring
Wedges, side fill, IEM, RF and playback are organized into a clean and reliable stage workflow.
Light & content
Lighting, LED and the media server follow a shared cue structure and stay aligned with the show timeline.
Backstage & logistics
Case routes, risers, technical crew and changeover windows are prepared before load-in day.
REAL SOUND concert projects
Live show, stage and audience experience in one technical system
Projects where scale, rider compliance and precise crew operation matter.
Process
From rider to final applause
The project is divided into clear stages so systems, schedule, ownership and redundancy are agreed before load-in.
Brief and riders
Format, venue, audience, artists, technical requirements and schedule.
Venue audit
Dimensions, acoustics, rigging, power, logistics and setup window.
Technical design
Drawings, equipment, crew, estimate and production schedule.
Pre-production
Substitutions, stage plots, input lists, content, cues and contacts.
Show day
Installation, line check, soundchecks, rehearsal, concert and load-out.
FAQ
Concert technical production questions
What to know before requesting an integrated production quote.
What is included in concert technical production?
FOH and monitor sound, microphones, lighting, LED and video, staging, rigging, backline, power, special effects, installation, soundchecks and technical crew.
Do you work from artist technical riders?
Yes. We review models, acceptable substitutions, stage plots, input lists, backline, monitoring, power, soundcheck time and changeovers.
How is integrated production different from equipment rental?
One team designs the entire system, coordinates riders, prepares drawings and schedules, runs soundchecks and owns the live technical result.
Can you deliver a multi-artist festival?
Yes. We build a rider matrix, common patch, backline plan, soundcheck timetable and changeover procedure for every artist.
How much time is required for setup and soundcheck?
It depends on staging, rigging, system scope, artist count and venue access. The production window is fixed after the venue audit and rider review.
How is sound coverage designed?
We account for venue geometry and acoustics, audience layout, stage position, SPL requirements, delay zones and noise restrictions.
Can cameras, recording and streaming be added?
Yes. Cameras, vision mixing, recording and live streaming are integrated into the common signal and redundancy architecture.
Do you provide backup systems?
For critical projects we plan redundant microphones, playback, signal routes, power and essential equipment positions.
What determines the budget?
Venue, stage and rigging, riders, artist count, system scope, setup window, crew, logistics and redundancy level all affect the estimate.
What should I send for a quote?
Date, venue, expected audience, programme, artist riders, stage plot, venue plan and available setup and soundcheck time.
Send the date, venue, audience, artist list and technical riders. We will prepare a preliminary system, crew and work scope.
Send the brief — we’ll build the concert technical plan
Share the date, venue, format, expected audience and artist riders. We will prepare a preliminary architecture and delivery plan.