Sound and microphones
A system designed for the room, audience and programme.
- Speech reinforcement
- Concert systems
- Wireless microphones and monitoring
EVENT TECHNICAL PRODUCTION · ALMATY
Event technical production in Almaty
We design sound, lighting, LED, staging, video, communications and crew as one controlled production system — from the first drawing to the final cue.
Since 2013technical production for live events
One teaminstead of disconnected suppliers
Almaty & Kazakhstantouring and multi-day projects
PRODUCTION CONTROLSYSTEM READY
SOUND
LIGHT
VIDEO
STAGE
SHOW CONTROL
Signalsone map
Crewby department
Backupcritical systems
Full production cyclequote, preparation, setup, show and load-out
Unified show controltechnical run of show and cue coordination
Documented workflowdrawings, timing, equipment and role lists
Redundancy planningfor mission-critical signals and systems
One production system
Every technical department — under one control layer
Equipment alone does not create a reliable event. The result comes from architecture, system compatibility, crew structure and precise programme execution.
Stage lighting
Lighting environment, accents and programmed scenes.
- Fixtures and truss
- Console and lighting operator
- Architectural lighting
LED and video systems
Screens, cameras, presentations and content control.
- LED and projection
- Video switching and cameras
- Content and playback
Stage and structures
Platforms, stages, truss, roofs and technical positions.
- Stage decking
- Truss and rigging
- FOH and technical zones
Conference systems
Delegate units, interpretation, voting and hybrid participation.
- Simultaneous interpretation
- Remote speakers
- Recording and protocol
Special effects and show control
Key moments, cue lists, crew communications and unified show operation.
- FX scripting
- Intercom
- Technical supervisor
Production levels
A solution scaled to the event objective
Packages establish a starting architecture. Final scope is shaped by the venue, programme, audience, setup access and redundancy requirements.
Production Core
Conference, presentation, opening or focused corporate event.
- Sound and microphones
- Core lighting
- Display or presentation system
- Lead technician
Production Business
Forum, corporate event or show with staging and visual content.
- Sound and wireless systems
- Stage lighting
- LED / video
- Stage and structures
- Department crew
Production Flagship
Large show, concert, multi-room programme, outdoor event or mission-critical public production.
- All technical departments
- Show control and intercom
- Critical-system redundancy
- Technical director
- Multi-day production plan
Interactive brief
Event Production Studio
Build a preliminary production architecture in a few minutes.
PRODUCTION READINESS CONTROL
Check whether the project is ready for build and show
This control module connects schedule, venue, content, riders, crew and redundancy. It exposes the critical path before the event so risks are not deferred to load-in day.
Show control
One control centre manages the full event flow
For complex productions, every technical department works from one production plan: who triggers what, and at which moment.
01
Technical supervisorcoordinates the venue, suppliers and production schedule
02
Department leadsown sound, lighting, video, staging and individual zones
03
Show caller / cue controlruns the programme timing and confirms critical actions
04
Intercom and commsgive the crew one operational communication layer
T−30 days
T−7 days
T−1 day
SHOW
T+1
Production outputs
Documents that make the production controllable
The exact document set depends on project scale, but the principle is constant: key decisions are fixed before setup day.
Technical concept
System architecture and key venue decisions.
Layout and zoning
Stage, screens, FOH, cable routes and service areas.
Scope and quote
Equipment, crew, logistics, setup and redundancy.
Production schedule
Access, setup, tests, rehearsal, show and load-out.
Signal flow
Audio, video, network and critical signal routes.
Cue sheet
Programme actions and responsible roles.
Risk checklist
Power, weather, safety, content and redundancy.
Post-event pack
Recordings, deliverables and final technical status.
REAL SOUND experience
Different scales — one preparation standard
Business forums, concerts, openings and sports events supported by integrated technical production.
Process
From the first call to venue close-out
The project is divided into clear stages so budget, timing and responsibility remain transparent.
Brief
Objective, format, audience, venue and programme.
Survey
Plans, access, power, restrictions and setup windows.
Design
System architecture, equipment, crew, quote and schedule.
Production
Setup, testing, rehearsal and technical operation.
Close-out
Load-out, media handover and final status.
FAQ
Frequently asked questions
What to know before requesting a full technical production quote.
What is included in event technical production?
Scope may include sound, microphones, lighting, LED or projection, staging, structures, video, conference systems, live streaming, special effects, power distribution, setup and technical crew.
Can one company manage the entire technical scope?
Yes. An integrated approach reduces supplier interfaces and simplifies timing, signal routing, crew coordination and responsibility on site.
How is the price calculated?
Key factors include date, venue, audience, programme, structure and screen sizes, equipment scope, number of zones, crew, logistics, duration and redundancy level.
Do you conduct a technical venue survey?
A survey or detailed technical venue review is required for complex, outdoor, multi-room and structure-heavy projects before the final quote.
How long does setup take?
A focused event may be installed in several hours. A large concert, forum or outdoor production usually requires a dedicated setup day or multiple shifts.
Can you work from an artist rider or agency specification?
Yes. We review the rider, stage plot, input list, acceptable substitutions, soundcheck schedule and integration with the venue production.
Is backup equipment included?
Redundancy depends on project criticality. For key signals we define backup devices, alternate routes and switch-over procedures in advance.
Do you work outside Almaty?
Yes. Touring projects include separate planning for logistics, crew schedules, setup shifts, accommodation and local venue conditions.
What should I send for a quote?
Date, venue, event format, guest count, programme, floor plan, technical requirements, required systems and available setup access.
When should full technical production planning begin?
For a compact event, core preparation should ideally begin 2–3 weeks in advance. Multi-room forums, concerts, outdoor productions and custom structures benefit from a 4–8 week runway with the venue, concept, content and riders locked earlier.
Preliminary quote
Send the brief — we will build the technical architecture
Share the date, venue, format, guest count and programme. We will prepare a preliminary system, crew and work scope.